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When to Stop Painting

A Note from Erin Hanson

Saturday, January 15, 2022

One of the questions I get asked most is, "How do you know when to stop painting?" 

After painting over 2,000 oil paintings in the past 13 years [written in 2019], I have developed an innate sense of when a painting is complete. Over and over in my painting career, I have experienced that a painting reaches a "peak" of excellence, and the more I fuss with the painting after that moment, the worse the painting gets. I talk to artists all the time who complain about their paintings getting muddy and overworked. So, I know I am not the only one who has experienced this. 

I can't tell you how many times I have picked up the brush again after I had already decided the painting was complete, just to place just one more brush stroke... only to regret it afterward as a mistake.

So, how do I know when a painting is complete? I paint until the work has attained the emotional response I was aiming for, and then I stop. I use enough technical expertise adequate to produce an emotional impact from the painting. 

Continuing on the painting past this point, past the point of achieving the communication I set out to create, will only degrade the communication and make it foggy. I want my paintings to be clean, crisp, and joyous - like I just picked up a brush and painted the whole thing without a pause.

When I reach this point in my paintings, I sign my initials at the bottom, and I have a firm policy to never touch the painting again after the initials are placed. This self-control takes trust in myself, gained from years of experience, as well as a healthy dose of cheerful insouciance.

Would you like to see the results of this firm policy? View my portfolio. The work itself speaks to how this policy achieves the results I’m looking for in a painting.


 

ERIN HANSON is a life-long painter, beginning her study of oils as a young child.  Her passion for natural beauty is seen in her work as she transforms vistas familiar and rare into stunning interpretations of bold color, playful rhythms and raw emotional impact. Her frequent forays into National Parks and other havens of nature include backpacking expeditions, rock climbing, and photo safaris.  Hanson's unique painting style has become known as Open Impressionism, which is now taught in art schools around the world. With thousands of collectors eagerly anticipating her work and millions of followers online, Hanson has become an iconic, driving force in the rebirth of contemporary impressionism, and she is quickly recognized as a prolific, modern master.
 

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