Subtotal
$0
U.S. Shipping
FREE
Saved for Later
Shopping Cart
Art of Impressionism: A Love Letter
The Modernization of the Impressionist Brushstroke
Sunday, June 5, 2016
Impressionism dates all the way back to famed master, Monet (1840-1926). As the story goes, Claude Monet called his painting depicting the French harbor of Le Havre Impression, Sunrise. Later, art critic Lois Leroy attempted to insult Monet’s unconventional style by calling it “Impressionism.” Monet and other artists that shared his extraordinary view of the world embraced the title and called themselves Impressionists.
Impression, Sunrise by Claude Monet
One of the main characteristics which separated Impressionism from Romanticism and Realism is that you can easily see the brushwork in Impressionism. This visible brushwork sets Impressionism apart and is one of the many factors that made this style the launching point of all modern art.
Impressionist painters of the past often used short, layered brushstrokes to create texture and depth in their paintings. This is where past masters and the modern Impressionist painter Erin Hanson diverge. As Hanson works, she practices an economy of motion not seen by past masters. For example, one length of an ocotillo may by created in a brushstroke by Hanson, while the traditional, “classical” impressionist would paint in small strokes or even dots.
Motion of Ocotillo by Erin Hanson
Erin Hanson celebrates the movement of lithe tree branches, plays with the hazy outline of mountains in the distance, and rejoices in swaying palms with one swift brushstroke. The urgency of such a stroke captures the vibrant nature surrounding her as she paints her way around the West Coast.
Falling Color by Erin Hanson
Borrego Reds by Erin Hanson
Dawning Clouds by Erin Hanson
By changing the standard Impressionism brushstroke from short, thick spurts of color to minimalistic stretches of paint, Erin Hanson has modernized the face of a style that has gently evolved for over one hundred and fifty years. Her new take on Impressionism revives the movement while still deeply paying respects to its past.
To see more of Erin Hanson’s paintings and to observe her minimalistic style, be sure to take a look at the Erin Hanson portfolio.
Discover the artist at the forefront of modern impressionism.
By clicking Subscribe, you agree to The Erin Hanson Gallery’s Terms of Use and Privacy Policy and to being contacted by The Erin Hanson Gallery.
About Erin
ERIN HANSON is the creator of Open Impressionism, a new painting style taught in art schools worldwide. Hanson is one of the most prolific artists in history, with over 3,000 oil paintings sold to eager collectors. With millions of followers, Hanson has become an iconic, driving force in the rebirth of impressionism, inspiring thousands of other artists to pick up the brush and join her in the Open Impressionism movement.
Hanson began painting in oils at 8 years old. As a teenager, she apprenticed at a mural studio where she worked on 40-foot-long paintings while selling art commissions on the side. After being told it was too hard to make a living as an artist, she got her degree in Bioengineering from UC Berkeley. Afterward, Erin became a rock climber at Red Rock Canyon, Nevada. Inspired by the colorful scenery she climbed, she returned to her love of painting and began creating one new painting every week.
Twenty years later, Hanson now resides in Oregon’s Willamette Valley, surrounded by beautiful wine country. She gathers inspiration for her paintings from the natural landscape around her, photo safaris abroad, and backpacking through National Parks. She seeks the beautiful colors of the golden hour and captures these colors on her canvases. Her painting studio and art gallery is 18,000 square feet (the length of a football field), and is open to the public Tuesday through Saturday.