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Impressionism Series Part Two: The Birth of Modern Art

A series on the development of Impressionism

Monday, March 13, 2017

“I want my paintings to be as alive and vibrant as the landscapes that inspired them.” 

- Erin Hanson

Impressionism was initially developed by a group of now-iconic artists meeting in Paris’ famous Cafe Gerbois all the way back in 1867. These friends included Claude Monet, Edgar Degas and Camille Pissarro. During the Napoleonic Wars, these artists were forced to travel and many ended up in London, where they were exposed to the London National Gallery and were inspired by painters like John Constable and William Turner. 

After later re-locating back to France, the newly-inspired artists began creating unsaleable paintings with loose, spontaneous brushwork. In fact, many of the original Impressionists were unable to break into the snobby world of French art, and they had to sell their work for a pittance. In a letter to an art critic friend, Edouard Manet asked if he could help Claude Monet find a patron who would buy 10-20 of his paintings at 4 pounds - the equivalent of around $340 in current dollars. Can you imagine getting that deal today?

Although Impressionism wasn’t well-loved by critics for several years, artists around France and, later, around the world were inspired by the vibrancy of this modern art form. Spin-offs and “post-impressionist” movements were formed, and art became much less staid in the late 1800’s and early 1900’s. 


“Pure” Impressionism vs. Post-Impressionism

“Let's go and get drunk on light again – it has the power to console.” - Georges Seurat

Impressionism is often characterized by its study of light and the vibrant colors used to convey an impression of a scene. The brushwork commonly employed in Impressionist works is loose and layered, with the paint mixing on the canvas rather than being premixed, painted on, and then blended. 

When the Impressionism movement began in 1867, its founders were feeling their way through the creative process, trying different painting styles, painting en plein air, and utilizing the new, luminous paint colors available through the latest developments in chemistry. 

As artists explored Impressionism, several took the style further, transforming the art form into something not before seen. These art forms are labeled in many different ways, but they include: 

Neo-Impressionism This art form was created by Georges Seurat and is mainly characterized by his distinct style of painting. Many Impressionist art uses short, brusque paint strokes. Neo-Impressionism takes this style even further, painting small dots of unmixed color in small spots side by side. The actual “mixing” of the paint occurs only when a viewer’s eye takes the piece in as a whole. Many Neo-Impressionist painters like Camille Pissarro and Paul Signac were originally Impressionist painters, and in many ways, Neo-Impressionism can be seen as a natural evolution of Impressionism, inspired by new developments in chemistry, paint colors, and even in photography.


A Sunday Afternoon on the Island of La Grande Jatte by Georges Seurat

Post-Impressionism was developed in the late 1880's and expressed more than just landscapes. This style emphasized symbolism and deep emotion expressed within the artwork. Probably one of the most famous Post-Impressionist paintings ever created was Vincent Van Gogh’s Wheatfield with Crows. This painting was rumored to be his last. The path that leads through the middle of the wheat field and may be seen to end or taper off in the far distance has lore surrounding it, intimating that Van Gogh intended this path to represent his later suicide and death. However, according to the the Van Gogh Museum that houses this piece, the painter created several works after this piece, and his intention was for the art to express both “sadness, extreme loneliness,” and what is “healthy and fortifying about the countryside.” 

So, you can see why some painters decided to stick with pure Impressionism or Neo-Impressionism. Post-Impressionism, as expressed by Vincent Van Gogh, Lucien Pissarro, and others, can often have more strata of meaning to dig through than layers of paint on the canvas itself.


Wheatfield with Crows by Vincent Van Gogh

Fauvism was started by Henri Matisse and Andre Derain and was one of the first painting styles to break from Impressionism wholly. This avant-garde movement is a subjective response to nature - so it is an emotional representation of how one feels about a scene. Impressionism inspired the bold brushstrokes and unmixed, vibrant colors that characterize this movement, but there is often very little that indicates the real light, movement, and shadow shown in a pure Impressionist painting. 


The Open Window, Collioure by Henri Matisse

Cubism is most commonly associated with Pablo Picasso - and rightly so. This master artist helped to create Cubism, along with Georges Braque. While not every shape used within a Cubist painting is actually a cube, these painters use geometric shapes to emphasize the two-dimensionality of the medium upon which they are working - the flat canvas. However, even though a Cubist painting often combines shapes, the actual subject of the art can often be discerned.


The Weeping Woman by Pablo Picasso

As you can see, art and artistic styles have changed over time. That is what makes Erin Hanson’s Open Impressionism style of painting both traditional and unique. While painters have been deriving styles from pure Impressionism for over a hundred years now, very few have returned to the essence of Impressionism - that of capturing light and movement with vibrant colors. Open Impressionism does just that, using both the texture of the paint and the application of vibrant, unmuddied color on canvas to celebrate the light and beauty of our modern world.


Coming up...

Impressionism didn’t die out in the late 1800’s when Post-Impressionist and Neo-Impressionist painters began experimenting with style and form. In fact, Impressionism left France and circled the world through the 1900’s and beyond. Our next and final article in the Impressionism Series discusses the love of Impressionism shown around the world, dabbles in a little bit of the conspiracy surrounding one painter who died before his time, and wraps up with a modern take on this incredible artistic style. 

Need something to tide you over until our next article? Be sure to explore Erin Hanson’s portfolio - or, if you are local to her new San Diego location, find out how to visit her gallery!


Article by Julia Shaw.


Refs:

Impressionist Painting, Its Genesis and Development by Wynford Dewhurst

Benezit Dictionary of Artists by Oxford University Press

Hutchinson Encyclopedia 

http://www.theartstory.org/movement-impressionism.htm 

http://www.metmuseum.org/toah/hd/imml/hd_imml.htm 

https://www.britannica.com/biography/Camille-Corot 

http://www.theartstory.org/movement-post-impressionism.htm 

https://mcmichael.com 

http://www.nytimes.com 

https://www.vangoghmuseum.nl 


 

ERIN HANSON is a life-long painter, beginning her study of oils as a young child.  Her passion for natural beauty is seen in her work as she transforms vistas familiar and rare into stunning interpretations of bold color, playful rhythms and raw emotional impact. Her frequent forays into National Parks and other recesses of nature include backpacking expeditions, rock climbing, and photo safaris.  Hanson's unique painting style has become known as Open Impressionism, with hundreds of collectors eagerly anticipating her work.  As an iconic, driving force in the rebirth of contemporary impressionism, Hanson is quickly recognized as a prolific, modern master.
 

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